The role of Lighting Designer is a mixture of the Technical elements of theatre lights and the Artistic nature of how theatre lighting assists the actors, scenic designer and directors to paint a living picture on the stage, to assist the audience in interpreting the time, place, atmosphere and mood of the action happening on the stage.
You need to be aware of the Technical elements of theatre lighting, whch include knowing the properties of a theatre light, such as Beam Width, Intensity, Colour, Focus. You need to be aware of how to safely rig theatre lights, so you can place them as close as practicable so that the direction of the beam is lighting the stage at the desired area. It can reveal and hide.
The Artistic side of stage lighting is making use of the properties of Direction, Intensity, Shape and Colour to provide visibility on the stage so the audience sees what the director wants them to see. The use of these four elements can set the mood, atmosphere, time and place so the audience is transported into the desired location of the production.
It is the lighting designers personal instinct and experience with theatre lighting that allows them to choose which lights to use, which colours to use, which areas are lit, which areas to leave in shadow or darkness, how long a fade time for the light intensity to increase or decrease or when colours change hues. Most of these decisions are done in conjunction and consultation with the other members of the production team that are looking after sets, sound, video, costumes and stage management.
The Lighting Design Process
Stephen Hawker has written an excellent guide to lighting design that summarises the process. https://www.belvoir.com.au/wp-content/uploads/2012/08/A-Guide-to-Lighting-Design2012.pdf
Resources
Theatrecrafts have a web site https://www.theatrecrafts.com/pages/home/archive/manufacturers/ where you can download manuals for older equipment. It can be difficult getting manuals for new equipment so make sure you get manuals from your suppliers.
Matt Kizer has some excellent Open Education Resources available athttps://scenicandlighting.com/lightlabs/
The three bars on the top right are to Exit Light Lab.
Dance Lighting is an amazing virtual resource giving you control over HUE and SATURATION/DIMMER for Cyclorama, Sidelight and Toplight. There are Intensity controls for High Side SL and SR Gobos as well as footlights with dancers in Down Stage, Middle Stage and Up Stage positions. The specials allow you to highlight each dancer individually.
Gobo Lab lets you select which direction the light is coming from. Top of the screen is the audience, so the top centre light will project the gobo onto the actors and the cyclorama behind them.
Clicking on the light source brings up a dimmer slider.
You can have have more than one gobo on, but one gobo per light.
Color Lab is a virtual McCandless design. Try a cool light from one side, a warm light from the other side and a strong backlight.
The top slider control is HUE
The middle slider control is SATURATION
The bottom slider control is INTENSITY
Virtual Swatch Book is Rosco Color Chart by Color and Number with guidelines on useage.
Vintage Instruments gives detailed description and data for conventional lighting .
Fresnel has an animation showing how the lens was created.
PAR CANS allows you to rotate the oval beam.
Ellipsoidals – Profiles in Australia shows focus and shutter operation., beam width change with lens focus.
Follow Spots show Iris, Gate, Dowser, Focus.
Strip Lights show cyclorama light coverage for distance from the cyclorama.
Cyc Lights has a diagram explaining the equal intensity from top to bottom. Use in conjunction with Strip Lights.
Page created 19 March 2026